Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged if slight debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one key story turn, but it leads to a comically executed rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish cinemas from November 17.
